Walamy Witkacy
Based on the text "Example Play" by S. I. Witkiewicz
Persons dressed in black: Krisztina Horváth, Andrea Kiss, Mátyás Juhász
Young man: Dániel Czéh
Old man: Pál Keczán
Girl: Orsolya Hollósi
Glass: Glass
Directed by: Krisztina Rosner
Janus University Theatre, Pécs, Hungary
2007
Photo: Máté Komjáthy
Come / Go
...Beckett?...
Performed by:
Orsolya FLO Hollósi / Krisztina VI Horváth / Andrea RU Kiss
Video:
András Verpeléti / Máté Komjáthy
Technicians:
Gábor Regényi / Donát Tolnay
Dramaturg:
Katarina Mikulikova
Directed by:
Krisztina Rosner
Janus University Theatre, Pécs, Hungary
2008
Photo: Máté Komjáthy
Street Window
Texts:
János Pilinszky
Performed by:
Orsolya Hollósi, Krisztina Horváth, Andrea Kiss, Attila Reinhart, István Tóbiás
Stage and costumes:
Zsófia Herczig
Assistant:
Adrienn Szijártó
Technicians:
Gábor Regényi, Donát Tolnay
Directed by:
Krisztina Rosner
Pécs Airlines, Hattyúház Gallery, Pécs, Hungary
2010
Photo: Máté Komjáthy
Niki
apartment theatre
Based on the play "Wunschkonzert" by Franz-Xaver Kroetz
Performed by:
Orsolya Hollósi
Production manager:
Zsófia Balassa
Directed by:
Krisztina Rosner
Pécs Airlines, a SZOBA Gallery, Pécs, Hungary
2012
Photo: Márió Tóth-Simon
Metadolce
Written by:
Lilla Falussy
German Translation:
Albert Koncsek
Performed by:
Christine Heller, Kata Lotz, Robert Martin
Music by:
Samu Csernák
Directed by:
Krisztina Rosner
Deutsche Bühne Ungarn, Szekszárd, Hungary
2013
www.facebook.com/metadolce
Photo: Dezső Horgász, Márió Tóth-Simon
The Tr... of Man
Text by:
Imre Madách
Adapted for puppet theatre by:
Krisztina Rosner
Designed by:
Ágota Matyi
Music by:
Zoltán Komlóczi
Video by:
Mátyás Jankó
Directed by:
Gábor Sramó and Zoltán Tóth
Performed by:
Ádám Krum, Judit Borbiró, Dániel Czéh, Gábor Kalocsányi, Emese Nagy, Gergely Tölgyfa
A co-production of Bóbita Puppet Theatre and Apolló Cultural Association
Funded by the National Cultural Fund
Bóbita Puppet Theatre, Pécs, Hungary
2014
Photos: http://www.bobita.hu/gallery?category=452
QUIET MICROCLIMATE / SILENT ROOM
Below is the description of my "QUIET MICROCLIMATE / SILENT ROOM" project that took place at the "Performing Climates" - Performance Studies International conference in Melbourne in 2016. It was located very close to the communal space (with a participant number of about 300), and it was great to see that people actually used the room for "zoning out" temporarily: taking a short nap, reading though their notes, or just looking out of the window.(The photo was taken in the early morning, in a rare moment when nobody was there. In the case of a silent room, what is better, I wonder: if it runs "full capacity" in a shared quietude, or if it's only you, or if there's nobody...)
QUIET MICROCLIMATE / SILENT ROOM
(Dear John Cage and James Turrell, thank you.)
WHY:
Conferences are important. But conferences are exhausting. Amidst the dynamic overflow of scientific discussion, the constant buzz of socializing and the long hours of sharp focus, it is vital to slightly shift the academic climate of the conference by acknowledging and supporting the basic need for reflective time by creating an environment of quietude, in order to get the balance back between socializing and solitude during the day.
WHAT:
I would like to create and provide a space where people can “just be”, have a moment for themselves (or to take a short nap?). Like a cat lounge, a snail shell, an ambient zone, a retreat from the climate of continuous social interaction. It is not a performance, it is the temporary suspension of the performative: a public space of shared solitude. An inclusive yet tacit zone, open for local students and conference participants. A Quiet Microclimate, a silent room, where the visitor can gather his or her breath, thoughts, energies; it is a zone for being comfortably quiet, for spending some time off to recharge the social batteries.
HOW:
QUIET MICROCLIMATE // SILENT ROOM is for you.
Even if you share it with others sometimes.
Feel free to take a seat and:
- enjoy some quiet time;
- go offline for a while and keep your conference schedule and laptop in your bag;
- relax your shoulders;
- calm your breathing (or take a short nap).
With love,
Krisztina
Performance Studies International "Performance Climates",
July 5-9 2016, Melbourne,
University of Melbourne, Old Arts Building, Room 220